| 1999 | The Creole Identity in Jean Rhys’s Wide Sargasso Sea,Sun Yat-sen Journal of Humanities,4, pp43~54(其他) |
| 1999 | 跨越半島，遠離群島：論林玉玲及其英文書寫的漂泊與回返,英美文學評論, pp183~199(TSSCI) |
| 1999 | Crystallization of Immediate Experience: Objective Correlative of the Sea in T. S. Eliot's Four Quartets,Poseidon and the Muses: Proceedings of the International Conference on Arts, Literature, and the Oce, pp195~216(其他) |
| 1999 | The Iconic Quality in Verbal Patterning,Dong Hwa Journal of Humanistic Studies, pp147~164(其他) |
| 1998 | Filming Julian Jarrold's Great Expectations,Dickens Quarterly , pp226~228(AHCI) |
| 1998 | 異鄉敘事／移民論述：論／述羅卓瑤的《秋月》之後,電影欣賞,16, pp64~66(其他) |
| 1998 | The Belated Mahua Modernist Literary Polysystem and the Case of Tan Swie Hian,Tamkang Review ,29, pp159~197(TSSCI) |
| 1998 | Dis-cursivity of Psychoanalysis: The Lost Origin Vs an Imaginary Return,Sun Yat-sen Journal of Humanities,7, pp135~157(其他) |
| 1998 | James Joyce’s Portrait: Writing and Gender Inversions.,Studies in English Literature and Linguistics, pp213~233(其他) |
| 1998 | 喬依斯小說中的性（別）與語言,英美文學評論, pp127~140(其他) |
| 1998 | 征服的慾望：試論《亨利五世》中帝國主義、國族主義與身分認同,中外文學,27, pp97~108(其他) |
| 1998 | 肢體解構的意義: 論阿法兒‧班小說《歐若諾可》中奴隸與種族、性別問題,中外文學,24, pp1~12(其他) |
