| 2000 | 翻譯文學、《現代文學》與台灣文學複系統,中外文學,29, pp216~225(TSSCI) |
| 2000 | 海外存異己：馬華文學—朝向「新興華文文學」理論的建立,中外文學,29, pp20~31(TSSCI) |
| 2000 | Power and Knowledge in Discipline and Institution,Sun Yat-sen Journal of Humanities,11, pp17~32(其他) |
| 2000 | 〈論後現代氛圍中跨越的變奏模式〉,《中山人文學報》,9, pp121~148(其他) |
| 2000 | Inner Voice from the Yonder Shore: The Still Point of the Sea in T. S. Eliot's Four Quartets,Fu jen Studies: Literature & Linguistics. , pp1~21(其他) |
| 2000 | The Representation of Silence in Text,Dong Hwa Journal of Humanistic Studies, pp103~123(其他) |
| 2000 | “Reading Postmodernism: ‘Border-crossing’ in The English Patient.”,Journal of National Kaohsiung Normal University , pp91~106(TSSCI) |
| 1999 | The Creole Identity in Jean Rhys’s Wide Sargasso Sea,Sun Yat-sen Journal of Humanities,4, pp43~54(其他) |
| 1999 | 跨越半島，遠離群島：論林玉玲及其英文書寫的漂泊與回返,英美文學評論, pp183~199(TSSCI) |
| 1999 | Crystallization of Immediate Experience: Objective Correlative of the Sea in T. S. Eliot's Four Quartets,Poseidon and the Muses: Proceedings of the International Conference on Arts, Literature, and the Oce, pp195~216(其他) |
| 1999 | The Iconic Quality in Verbal Patterning,Dong Hwa Journal of Humanistic Studies, pp147~164(其他) |
| 1998 | Filming Julian Jarrold's Great Expectations,Dickens Quarterly , pp226~228(AHCI) |
