| 2005 | Tseng, M.-Y. & Pei-ran Ji ,<文本中沉默的再現:以兩則禪宗公案為例>,《忻州師範學院學報》,21, pp12~16(其他) |
| 2005 | 〈「翻譯」法農：權力、慾望與身體的中（仲）介書寫〉。序,《黑皮膚，白面具》(其他) |
| 2005 | 香料東方：佛萊契爾戲劇《南島公主》中的東方殖民與帝國國族記憶,中外文學,33, pp141~164(其他) |
| 2005 | 佛洛姆關於人的概念—一個激進性的詮釋,當代, pp143~132(其他) |
| 2004 | Disease, Empire, and (Alter)Native Medicine in Louise Erdrich’s Tracks (1988) and Winona LaDuke’s Last Standing Woman (1998),Concentric,30, pp37~64(其他) |
| 2004 | Body and Female Subjectivity in Cathy Song’s Picture Bride,Women’s Studies: An Interdisciplinary Journal (Routledge),33, pp577~612(AHCI) |
| 2004 | Asian-American Literature and a Lacanian Reading of Maxine Hong Kingston’s Tripmaster Monkey,CLCWeb: Comparative Literature and Culture (Purdue University Press) ,6(AHCI) |
| 2004 | Trotty and Etty: Unlikely Partners in Punch,Dickensian , pp139~143(AHCI) |
| 2004 | 觀看族裔殘像：從照片書寫論族群歷史之攝影,中外文學,32, pp59~80(其他) |
| 2004 | Shyu, Shu-ing,Asymmetries between Mandarin Chinese Lian-dou and Shenzhi,Journal of Chinese Linguistics,32, pp71~128(AHCI) |
| 2004 | 文化回歸、離散台灣與旅行跨國性：「在台馬華文學」的案例,中外文學,33, pp153~166(TSSCI) |
| 2004 | Looking for Zhu Ling: Self-Identity in Li Yongping's feifei,Tamkang Review ,35, pp97~111(TSSCI) |
